For me, St. Patrick’s Day is just a blip on the calendar that says wear green especially and only if you’re Irish. But if you are celebrating, prepare to be greeted by a sea of green Guinness-wielding revelers claiming their shamrocks. St Patrick’s Day is here and you probably don’t have a single green item in your wardrobe. The only thing green that I own is the copious amount of kale that resides in my refrigerator.
I do though have an affinity for the hefty combination of green and blue, namely denim with any flavor green especially mint. So get your wardrobe spring-ready with this look as it’s sure to go way beyond the celebrations of St. Patrick’s Day.
Topshop jacket // Alexander Wang T-Shirt // NSF boyfriend jeans // Givenchy Pandora bag // Pierre Hardy shoes // Saint Laurent aviators // Bumble & Bumble semisumo // Fossil phone case or this one here.
This morning, it took me about 10 minutes from start to finish to get dressed knowing full well that my creative prowess is at it’s lowest on a Friday morning at 7am. I put on a white turtleneck, black jeans, black booties, and a black leather jacket, my standard uniform, ready to face the thrills and chills of another winter’s day.
For the record, I tried other options while sipping my morning juice. I put on fringe boots, but there was too much dancing going on south of my ankles. I put on a crop top. Nope, too freaking cold for that. I took off the heeled booties, and switched to those white standard sneakers I have been obsessed with, creating a boring blank look, devoid of all expressions.
This so-called blank look was mimicking the anti-style movement, or the “divorced dad” look (decked in REI and Crocs). Is this the vanguard of fashion darlings right now? To say that I was dressing intentionally to look like Larry David or Seinfeld, the sitcom about nothing, might be falling short. I just want to be comfortable, and exude an air of je ne sais quoi about what I put on. But instead, I was falling into a generic (for those in the know, I pray to the Céline tribe) trap.
It is not Times Square tourist’s fault. It is normcore’s fault. For the record, I don’t have an affinity for 90’s dressing, I lived in the Mall loud and clear and don’t want to relive it.
Normcore is a fashion trend, pure and simple, and like most fashion trends it’s a riposte to the styles that came before it. While the spirit of “normcore” is intended to evoke understated expressionism, these rather deliberate choices in aesthetic ‘normalcy’ lead me to feel as though these outfits choices spilling all over the internet often fall flat; dull, contrived and au contraire, full of effort.
In my closet, I have far more inspiring pieces than plebeian sweatpants and sneakers and nondescript hoodies or mom jeans and unassuming flat boots. Sure, those items are currently de rigeur but after the novelty wears off — and it wears off quickly — they’re also decidedly boring. But isn’t any trend or non-trend an indication that no matter the garment, we all have something to express through our fashion choices?
Even by adopting the normcore style, one is in fact making a statement regarding their choices, likes, levels of comfort. And while many are quick to blame the commercialization of fashion and streetstyle for the new war on the antithesis of normcore, I’m sure we can all agree that dressing up is not only more fun and exciting, but also much more pleasing to the eye. I changed and paired this simple white shirt and jeans with a plaid top, a grey blazer, and a tweed coat just to make a statement about making a non-hipster statement. What? Consider this a plea to opt-out of any named trend as I’m not boring vanilla ice cream.
Photos: Lydia Hudgens
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I remember back in the 1990’s when I attended overnight camp, Teva Sandals were more popular than Céline Birkenstocks are now. I went to the local store and purchased them, and where the legions of ugly shoes are small but notorious—Teva’s are the predecessor to the Crocs, Vibram Five Fingers, and Uggs, these rubber-soled ones were just a good-intentioned velcro sandal. I wore them for several months even into the school year, and although they were ugly as sin, there was nothing besides bare feet, that were more insanely comfortable. It wasn’t until all of that pond scum caused their porous rubber and flimsy Velcro to decompose—an annual end-of-summer occurrence that any Nineties child could recall with grotesque distinction — that I had to throw them out.
But that was then, and now fast forward to Spring 2014, Prada, Rag & Bone, and Tibi are throwing in the towel and chiming in. Fancied by recreational hikers and dads on holiday, Teva has been relegated to the very end of the “practical versus pretty” spectrum. Until now, that is. Lower, flatter shoes make a comeback in recent years, with outdoors-y details and utilitarian styles looking nearly—dare we say—cute in recent seasons. Heck, even Chloë Sevigny has taken to Birkenstocks. For quite some time now, the fashion industry has been on a trickle down theory. Think last season’s Birkenstock craze. Fast fashion is grabbing what they can from top designers and “interpreting” it for the mass market. Of course, one walk through Zara and H&M and it is still happening. Think #Normcore.
But what’s new in this landscape is this role reversal that top-tier designers are playing on the copycats. More and more, they are borrowing silhouettes and concepts from the streets and reinterpreting them for the luxury market. Let’s call it a trickle up theory. Birkenstocks, Vans, Tom’s, Chinatown bags a la Céline, garbage bags from Lanvin, and plastic pearl headphones around your neck are all chanting “Started from the bottom now we’re here.” Here being at Celine, Givenchy, Prada, Marc Jacobs, Marni and Chanel. Here is Prada’s version of the Tevas. Whoh..whoa…whoa…
Rag & Bone elevated rope-strap sandals onto a thick, black platform. Hilfiger took his Tevas to the beach, fabricating Velcro-strap shoes in an array of sherbet colors. And Marc Jacobs, true to form, took a distinctively downtown approach to Teva’s reinvention: pairing black-satin strap sandals with a 1890′s take on dark fashion. Here is Marc Jacobs’s vision.
There is no doubt that Tevas still have entered into the proverbial limelight. The ultimate purveyor of vomiting quick-trends, Urban Outfitters is selling these for $40, and they are flying out like hot cakes.
And for my oh-so-amazing styling challenge series, I fashioned six pair that put the Teva to the test.
You tell me, would you try these on for size? Happy hiking!
Since fashion month has recently departed, what is left is the layers and layers of designs/ trends that are left to dissect. What is sent down the runway each season though may not always be the most practical for IRL situations. Here’s the thing. Where matters of Céline is concerned, I turn to Zara for the look for less since spending upwards of $1500 on a top isn’t in my budget. I stick to the basics for my daily uniform including striped shirts and jackets, wide-leg pants, and sheer tops.
But sometimes all that can be a tad boring or shall we say vanilla ice cream? And I am a bit more chocolate chip mint, ya know what I mean? As far as what makes a bold statement, and what constitutes editorial gold, the subject of Chanel and bold accessories (logos, chains, et. al) always arises with a bang. When Chanel came out with these oversized speakers that are actually pearls? The Kaiser never fails to impress.
For me personally, it’s the combination of mixing high and low that pulls me out of my comfort zone, and leads me to experiment with existing pieces in my closet with the new looks that I crave.
tibi cotton shirt // rag & bone black jeans // ZARA coat get a similar one at whistles // topshop lace-trim ankle socks //miu miu metallic-top slip-ons sneakers // chanel bag // kate spade ribbon belt
And what about my true admiration and trying to approximate this look featuring Lindsey Wixon in the spring 2014 Chanel ads.
No? I needed red lipstick!
It seems safe to say this trend of giant pearls is just getting started. We can only hope the fashion world has an ample supply of humongous oysters from which to harvest them.
Get the look here:
photos: Lydia Hudgens
Leave it to Karl for the biggest spectacle of the fashion season. For a man who never dabbles in the banal, obsessed with the modern, and love of pop culture, the Kaiser erected his very own mega shopping mart for Chanel this season. Highly anticipated and always outdoing himself, for his fall collection there were aisles brimming with Chanel-branded pasta (carbs!), soda, meats (a very cleverly packaged “Jambon Cambon”) cleaning products, home goods, and even a Chanel broom and doormat.
Watch the 2 minute video below, in English, and weigh in on Chanel’s extravagant grocery store theme.
Fashion is not all smoke and mirrors. This past weekend in Paris brought a bevy of sure-to-be copied looks and focused on the conceptual avant-garde — the stranger and wilder the looks, the better. Only a few designers could take the fashion industry’s breath away by the way they place a flower on a lapel, draping on a sleeve, the fringe on a coat. These heavy hitters including Céline, Chloé, Givenchy, and Kenzo presented collections that are surely going to inspire a craze or two next fall.
Here are my top looks, so far, from the city of light.
The looks on Céline‘s catwalk featured sleek, thirties-styled tailoring, and double-breasted closings gone wild. The thirties were on Philo’s mind when she was first thinking about the collection, especially women like Hannah Höch and Lee Miller, who were pivotal figures in the Dada and surrealist art worlds. The new, sinewy silhouette was complemented by soon-to-be-coveted knockout accessories: a single statement earring, a bold colorful cuff, and an oversize tangerine fur muff.
Fall excursions for Clare Waight Keller’s Chloé are often a swing between soft and hard, the girlish and the boyish. But this Fall there was perhaps an injection of a new element: something wild. The coherence and boyish discipline, together with the pretty-prettiness of Chloé, was given an additional jolt with the wild and woolly today. See this leopard fur coat with strips of marigold and ruby fur worn over an ivory fringed dress. The bag tucked underneath the arm exudes just enough nonchalance. Love the great new bags and enticing outerwear.
One of the reasons I love what Acne does, is mastering the perfect sweater and that they did. Sweater dressing is the season’s hot topic, and Acne had ideas to contribute, including ribbed knits that draped the body like beach towels. Take note of the large pom-pom hat you will find on heads everywhere next season.
4. Stella McCartney
It’s official: Chunky knit pajama-style pants are one of fall’s key trends and Stella is giving her customer what she knows and loves. Borrowed from the worlds of sport and loungewear, I love the zipper detailing and embroidery on her oh-so-sexy clothes, stirrup pants, and those flatforms are back with a vengeance. I can’t think of a better way to start your day– put on your fringe and dance!
Image via W magazine
After furiously scrolling the internet to find street style looks from London and Paris to emulate, I found this picture and then fell into a rabbit hole in a mad search for these fringed jeans. The must-have embellishment for the upcoming spring season is fringe and these pair of jeans are on my must-have wish list. Now you don’t have to be a granola loving, earth-loving kind of gal (though what is more chic than being eco-friendly) to pull of this trend. Frankly, I don’t see myself spending over $700 on a pair of jeans anytime soon. I am on a jeans cleanse.
So, if you, like me, have wanted to start wearing fringe on steroids, why don’t you high tail it over to your nearest craft store, buy a yard or two of fringe and take the fate of your imminently future style cues into your own hands with a DIY that seems impossible to screw up.
There will be many replicates coming soon to a blog near you and it’s certainly worth a try. But if you’re not creatively inclined, go for the real deal.
Shop it here:
At the very end of New York Fashion Week I made my way to The New Yorker for Couture Fashion Week. The annual event is sponsored by Emirates Airlines, who is now flying between New York and Milan. The event I attended showcased 3 brands: Yasmine Studio, 3zehn, and Pedram Couture. Between each show was a song by an opera, which was both entertaining and surprising. Though technological problems caused the show to run late, the looks that appeared down the runway were unique, and it was nice to see designers being represented from around the world.
1. Yasmine Studio
As soon as looked started coming down the runway, it was clear that the focus was on coats. Underneath, models wore simple black t-shirts, leggings and black heels. The first couple coats gave a nod to the designer’s New York education at the Fashion Institute of Design. My favorite coat by far was the all black one, especially with its cinched waist and leather accents. Currently, the brand is based in Nepal, which is evident in the printed coats sent down the runway. Coats of all shapes and colors appeared, but my favorites were the ones with huge collars and red accents.
Though 3zehn’s creator Kristin Zimmerman hails from Germany, the collection was clearly more influenced by Spanish culture. The entire collection was black and white, which was a plus for me. This collection was not for the fainthearted, every look was more body-hugging or revealing than the next. However, most looks managed to stay classy and beautiful.
Is the leotard underneath a sheer gown a new trend?!
See: Jennifer Lawrence in Dior. Discuss in the comments!
Pedram Pasha Taheri has Persian roots, and a background in Interior Design. This collection contained the most looks that coincided with the trends of today. Metallic and fur made appearances. Hair was old-school Hollywood and complemented the collection nicely. My favorite look was a backless, polka-dotted gown. Overall this was my favorite collection.
Overall, the show was very good. Suggested improvements would be starting as close to on time as possible (fashion shows run notoriously late but over an hour is a little excessive), and to give the models shoes they can actually walk in. Flats anyone?
Written by Sarah Murray. Edited by Stephanie Unter.
All photos taken with an iPhone.